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2008-2000

 

Connecting the dots

Galerie Mezzanin, Wien, 2010

 

Noch so ein Sieg und wir haben verloren, 2010, MDF, Lack, 245 x 133 x 45 cm

 

 

 

 

 

 

SkyLine-Lineal, 2010, 225 x 42 x 1,8 cm, Sperrholz, Lack; The Movement (Todos a la plaza), 2010, Absätze, MDF, 190 x 150 x 4 cm, Dot, 2010, MDF, Sperrholz, Lack, 120 x 115 x 2 cm , Übertragung, 2010, Papier, Sprühlack, 132 x 100 cm,
Fruits of the Petro-Loom, 2010, Aluminium, Paketschnur, Kabelbinder, Zeitung, Luftpolsterfolie, Plastiktüten, Sprühlack, 200 x 190 x 8 cm, Dot 2, 2010, Papier, 87 x 97 cm, Satellite-Dish, 2010, Betonguß, 67 x 60 x 7 cm

 

 

 

 

 

 

Dot 2, 2010, Tonpapier, 87 x 97 cm, Satellite-Dish, 2010, Betonguß, 67 x 60 x 7 cm, Ohne Titel, 2010, Sprühlack, schwarze Baumwolle

 

 

 

 

 

 

Untitled, 2010, Sprühlack, schwarze Baumwolle, Keilrahmen, 145 x 115 x 4 cm

 

 

 

 

 

 

Übertragung, 2010, Papier, Sprühlack, 132 x 100 cm

 

 

 

 

 

 

The Movement (Todos a la plaza), 2010, Absätze, MDF, 190 x 150 x 4 cm

 

 

 

 

 

 

Dot, 2010, MDF, Sperrholz, Lack, 120 x 115 x 2 cm

 

 

 

 

 

 

Dot 2, 2010, Papier/paper, 87 x 97 cm

 

 

 

 

 

 

SkyLine-Lineal, 2010, Sperrholz, Lack, 225 x 42 x 1,8 cm

 

 

 

 

 

 

Satellite-Dish, 2010, Betonguß, 67 x 60 x 7 cm

 

 

 

 

 

 

Untitled, 2010, Sprühlack, schwarze Baumwolle, Keilrahmen, 145 x 115 x 4 cm

 

 

 

 

 

 

 

 



Münzen und Bronzen

Overbeck Gesellschaft, Lübeck 2010

 

Installationsansicht, Detail

 

 

 

 

 

 

Installationsansicht, Detail

 

 

 

 

 

 

 Die kleine Italienerin, MDF, Lack, Fotokopien

 

 

 

 

 

 

Installationsansicht, Detail

 

 

 

 

 

 

Installationsansicht, Detail

 

 

 

 

 

 

Installationsansicht, Detail

 

 

 

 

 

 

Installationsansicht, Detail

 

 

 

 

 

 

Verkündigung, MDF, Lack, Baustein

 

 

 

 

 

 

Verkündigung, MDF, Lack, Baustein

 

 

 

 

 

 

 

 



Newsblast

Krome Gallery, Berlin, 2009

 

Installationsansicht im Uhrzeigersinn/clockwise: Großer Satan, 110x100x18 cm, Beton/concrete, B-Fence, 280x300x1,6 cm, MDF, Lack/lacquer, Above the Fold, 250x250x250 cm, Zeitungspapier/newsprint, Sprühlack/spray paint, The Aftermath, 207x139x1,6cm, MDF, Lack/lacquer, Slide-Frame (Back/Front), (verdeckt) 200x200x1,6 cm, MDF, Lack/lacquer, Death to You, (verdeckt), 120x90x1,2 cm, MDF, Sprühlack/spray paint, Kleiner Satan, 80x70x18 cm, Beton/concrete, Throwing Noise, 90x80x18 cm, Beton/concrete

 

 

 

 

 

 

Installationsansicht im Uhrzeigersinn: Großer Satan, 110x100x18 cm, Beton/concrete, B-Fence, 280x300x1,6 cm, MDF, Lack/lacquer, Above the Fold, 250x250x250 cm, Zeitungspapier/newsprint, Sprühlack/spray paint, The Aftermath, 207x139x1,6cm, MDF, Lack/lacquer, Slide-Frame (Back/Front), (verdeckt) 200x200x1,6 cm, MDF, Lack/lacquer, Death to You, (verdeckt), 120x90x1,2 cm, MDF, Sprühlack/spray paint, Kleiner Satan, 80x70x18 cm, Beton/concrete, Throwing Noise, 90x80x18 cm, Beton/concrete

 

 

 

 

 

 

Installationsansicht v.l.nr.r.: Above the Fold, 250x250x250 cm, Zeitungspapier/newsprint, Sprühlack/spraypaint, Slide-Frame (Back), (liegend), Slide-Frame (Front), 200x200x1,6 cm, MDF, Lack/lacquer, Death to You, (verdeckt), 120x90x1,2 cm, MDF, Sprühlack/spray paint, Kleiner Satan, 90x80x18 cm, Beton/concrete, The Aftermath, 207x139x1,6 cm, MDF, Lack/lacquer,

 

 

 

 

 

 

 

 

 

 

 

 

 

The Aftermath, 207x139x1,6cm, MDF, Lack/lacquer

 

 

 

 

 

 

B-Fence, 280x300x1,6 cm, MDF, Lack/lacquer

 

 

 

 

 

 

Death to You, 120x90x1,2cm, MDF, Sprühlack/spray paint

 

 

 

 

 

 

And To You I Say: The Night Is Darkest Before Sunrise, 2010, Sprühlack/spraypaint, schwarze Baumwolle/black cotton, Keilrahmen/stretcher, 145x115x4cm

 

 

 

 

 

 

Satellite-Dish, 90x80x18cm, Betonguß/concrete cast

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 



Das Stinktier auf der Gartenparty

in: „Spoils & Relics“, The Approach Gallery, London, 2009

 

 Installationsansicht, v.l.n.r.: Capital A, 190 x 90 x 30 cm, MDF, Lack/lacquer, Clockwise, 128 x 101 cm, Pigment-print, Halter, 49 x 50 x 62 cm, MDF, Lack/lacquer, Cut-out, 114 x 93 x 1,6 cm, MDF, Lack/lacquer

 

 

 

 

 

 

Capital A, 190 x 90 x 30 cm, MDF, Lack/lacquer

 

 

 

 

 

 

Halter, 2009, 49 x 50 x 62 cm, Lack/lacquer, MDF

 

 

 

 

 

 

Clockwise, 2009, Pigment-print, 128 x 101 cm

 

 

 

 

 

 

Cut-out, 2009, 114 x 93 x 1,6 cm, MDF, Lack/lacquer

 

 

 

 

 

 

 

 



Neocoins

Mary Mary Contemporary Art, Glasgow, 2009

 

 Installationsansicht, v.l.n.r.: Veränderter Anfahrtsplan zur Autoverwertung in Berlin, Wedding, 210x270x1,6 cm, MDF, Lack, Leftover, 190x90x30 cm, MDF, Lack, Office 3, 120×85 cm, Pigment-print, 24,99, 85x74x1,9 cm, MDF, Lack

 

 

 

 

 

 

Installationsansicht, v.l.n.r.: Veränderter Anfahrtsplan zur Autoverwertung in Berlin, Wedding, 210x270x1,6 cm, MDF, Lack, Leftover, 190x90x30 cm, MDF, Lack, Office 3, 120 x 85 cm, Pigment-print, 24,99, 85 x 74 x 1,9 cm, MDF, Lack

 

 

 

 

 

 

 

 

 

 

 

 

Veränderter Anfahrtsplan zur Autoverwertung in Berlin, Wedding, 2009, MDF, Lack/lacquer, 210x270x1,6cm

 

 

 

 

 

 

 

 

 

 

 

 

 

v.l.n.r.: Objekt 1, 145 x 100 x 4,5cm, Baumwolle, Sprühlack, Office 2, 120 x 84cm, Pigment-print, Layout 1, 95 x 85cm, MDF, Lack

 

 

 

 

 

 

Objekt 1, 145 x 100x 4,5cm, Baumwolle, Sprühlack,

 

 

 

 

 

 

24,99, 2009, 85 x 74x 1,9cm, MDF, Lack/lacquer

 

 

 

 

 

 

v.l.n.r.: Office 2, 120 x 85cm, Pigment-print, Layout 1, 95 x 85cm, MDF, Lack, Layout 2, 120 x 85cm, Pigment-print

 

 

 

 

 

 

Office 1, 2009, Pigment-print, 120 x 85 cm, Office 2, 2009, Pigment-print, 120 x 85 cm

 

 

 

 

 

 

 

 



Resonance

Krome Gallery, Berlin, 2008

 

Resonance, 2008, Public space Installationa in Collaboration with Krome-Gallery Berlin,
4 Silhouettes of oriental drums (Tombak, Daf, Djembe, Darbuka) on the Rooftop of the Gallery building in Karl Marx Allee, the former Stalinallee and parade-boulevard of the GDR

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 



Museum für islamische Kunst, Raum 1 – 5

Mousonturm, Frankfurt am Main, 2009

 

Museum für islamische Kunst, Raum 1-5 , 2009
The forms of the objects are taken from the orientation-maps of the Museum for Islamic Art in Berlin, situated in the top floor of the Pergamon Museum. The Maps were transformed into objects and were presented with their backside to the front, which is coverd with paint-traces from painting the frontside.

 

 

 

 

 

 

from left to right: Raum 1 25x35x2 cm, Pressspan, Lack, Raum 2, 25x25x2 cm, Pressspan, Lack,
Raum 3, 25x25x2 cm, chipboard, lacquer, Raum 4, 25x20x2 cm, chipboard, lacquer, Raum 5, 25x25x2 cm, chipboard, lacquer

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 



Skin-Scan

Temporäre Kunsthalle Berlin, Projektraum, 2009

 

The project-space, was painted in the my skin-colour, as scanned from my arm by a computerdriven paint-mixing-device in a regular paint-store.

 

 

 

 

 

 

 

 



The Adventures of a Mystic Cat

Art Statements, Art Basel 39, 2008

 

from left to right: Im Licht des Suchscheinwerfers (Stencil), 140×84 cm, Recycling-paper, spray-paint,
Satellite-Dish Holderl, 40x45x15 cm, aluminium, plastic, Ten Cities, 220x200x1,6cm, MDF, lacquer, The Adventures of a Mystic Cat, 150×170 cm, Pigment-Print, Schablone für Landschaft und Skyline 2, 240 x 190 x 1,6 cm, MDF, lacquer

 

 

 

 

 

 

 

 




2008-2000
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